
The Sound of Silence
With a new rendition of a Simon & Garfunkel song, the band Disturbed reminds us how vital a culture of dialogue is for peace.
The 2015 Nobel Peace Prize went to the Tunisian National Dialogue Quartet for its efforts to steer the country toward democracy after the fall of the Tunisian ruler. The prize was not meant merely as recognition of services to peace at a time when the country was in danger on every front. It was also intended as an honour for all those who work toward a culture of dialogue across the world, and as an incentive to use dialogue in the pursuit of peace everywhere.
But what does dialogue have to do with the Sound of Silence? „Sound of Silence“ was first released in 1964 by Paul Simon and Art Garfunkel. Rolling Stone lists it among the 500 greatest songs of all time. The epic, spine-tingling effect of the 2015 cover version by the metal band Disturbed, featuring the extraordinary voice of David Draiman – celebrated as much as it was criticised for its showmanship – drew international attention and sold millions.
The very first lines of the song, Hello darkness, my old friend. I’ve come to talk with you again
, illustrate Martin Buber’s idea of the dialogical principle. The singer greets the darkness as an old friend, ready to enter into a profound conversation. This is not a simple interaction but an attempt to build a genuine connection with the „darkness“, which is addressed as a metaphorical person.
Here it is not – as so often in discussions – about winning or scoring points for oneself. Instead, dialogue seeks to move beyond the boundaries of otherness, of those realms that lie in the dark for us, and to set out, for the benefit of all, on a journey out of the prison of what is thought and toward the freedom of thinking together.
The lyrics offer a critical reflection on modern communication: People talking without speaking. People hearing without listening.
The song „Sound of Silence“ raises the question of why people remain in silence and do not raise their voices. This silence also meets us in dialogue: it is the silence between the spoken words, the true quality of dialogue, when one allows oneself to enter the moment of sensing. Yet in this instant of pausing, of opening up, in which one wrestles for understanding, the impulse to genuine conversation arises – the impulse that changes everything, that leads from a knowing stance to a learning one. To face one’s own prejudices and fears in the moments of silence is an integral part of dialogue.
In the lyrics, no one is willing to break the sound of silence and of not listening. The warning, Fools, said I, You do not know. Silence like a cancer grows
, falls like silent raindrops. People go on bowing to their god of consumption and technology, which they themselves have created, and the words of their prophets – the advertising and the trivial slogans – are written on the subway walls and whispered into the sound of silence.
It seems paradoxical that a song so clearly speaking out against a consumer society so dependent on technology and media should ultimately be one of the most clicked and most covered songs of all. Despite its viral omnipresence, many do not grasp its message, because the song is often reduced to its opening lines. Yet even these few lines are enough to trigger a powerful emotional reaction. In this way „Sound of Silence“ might also be understood as a living memorial of popular culture.
Both „Sound of Silence“ and the philosophical views of Martin Buber and David Bohm emphasise the transformative power of dialogue for peace. By entering into dialogue, we open ourselves to the exchange of ideas and perspectives. Yet dialogue is also a radical, subversive undertaking. It dissolves old certainties without immediately creating new ones. Thus it is a matter of developing understanding, empathy and mutual respect. We are encouraged to bridge our differences and to search for shared values. Through dialogue we can transform the sound of silence into a melody of peace, on the way to harmony in a torn world.
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